Julie (Nausicaa) McCubrey, Spring 1999
Stephanie Carey, Spring 2000
Andrew Bourassa, Fall 1999
Melissa Cobb, Fall 1999
Kathleen Isherwood, Fall 1999
Robin Berry, Spring 2000
Brian Hinkley, Fall 2000
Bethany Barnaby, Spring 2001
Kim Dionne, Spring 2001
Sam Hart, Spring 2001
Andrea O'Brien, Spring 2001
Jessica Pelphrey, Spring 2001
Sarah Pike, Spring 2001
Sarah Woodcock, Spring 2001
Mary Raboin, semiregular tiling, Spring 1999
Mary Kate Morgan, cut-out tiling (paper on black construction paper), Fall 1998
Charlene Archer, Escher imitation, Fall 2000
Brian Hinkley, Escher imitation, Fall 2000
Monique Mathieu, Spring 1998
Lynn Plumb's dream house from four directions, Fall 1998
Cindy LeFebvre, Fall 1999
Jessica Wheeler, Fall 1999: note use of contact
paper for roads, fields and sky; look closely at those roads!
Eric Carter, Fall 1998
Amanda Belanger, Fall 1999: the goal is to start at any one of the X's and end at any other, traveling between the lines.
Doris Newbury, Fall 1999
Jodie Nelson, Fall 1999But that doesn't do justice to the many nice maze projects---it just so happens that most of the good ones are too big (like Morgan's poster-size footprints in the park maze) or aren't 2-dimensional (like an eyeball and a cube I got in Spring 1998, or Kate Isherwood's triple mobius strip maze from Fall 1999) or are too complex to put on a home page (like Tony Martins's many-layered, and virtually impossible, maze from Spring 1999). Eric's maze above has the virtue of containing several different maze types in one maze.